“Sanctuary” is a film directed by Zachary Wigon, written by Micah Bloomberg, and featuring the talented duo of Margaret Qualley and Christopher Abbott.
This film relies heavily on the performances of its two lead actors, the tension-driven script, and the director’s ability to maintain suspense.
Everything comes together seamlessly.
Plot
The heir to a hotel empire (Christopher Abbott) and the dominatrix who has molded him for success (Margaret Qualley) confront each other in a hotel room as he tries to end their relationship.
About the Film
Do you remember “Sleuth”? It starred Lawrence Olivier and Michael Caine and was the only film in history where the entire cast was nominated for an Oscar. The same cannot be said for this film, primarily because the captivating Margaret Qualley carries the weight of the script, delivering a stellar performance, while Christopher Abbott’s portrayal lacks the same brilliance as his dominant co-star.
Until everything changes (I warn you now). Like “Sleuth,” this thriller thrives on ambiguity, and viewers will delight in falling into the trap of deception, lies, and numerous clever plot twists. It’s not exactly “cinรฉma vรฉritรฉ” nor does it strive to be. Instead, it’s a film that deceives you from the start, openly admitting its dishonesty, twisted nature, and shamelessly confident in its lies.
Zachary Wigon skillfully plays with the camera, treating us to shots reminiscent of David Fincher’s “Panic Room. However, what the talented director does best is strike a balance between intentional (and even brilliant) cinematic falsehoods and allowing the actors to express themselves and shine in their roles.
Yes, somewhat similar to what Mankiewicz did, albeit with a few decades in between, but with a shared objective – to make us feel a little more mischievous, wicked, and flirtatious through this film, which, wicked, entertaining, and flirtatious itself, offers a captivating and twisted form of entertainment.
Our Opinion
Wicked, twisted, and seductive. It skillfully plays with the audience in a film that, fully aware of its own falsehoods, proudly revels in them, thanks to the outstanding performances of two fantastic actors.
Director
The Cast
