Art - Page 127 of 210 - Martin Cid Magazine

RENÉ ROMERO SCHULER - Esta, 2022, oil on canvas, 8 x 8 in.

René Romero Schuler: Reflection. Zolla/Lieberman Gallery. Chicago

“I’ve spent most of my life in Chicago. The early years were treacherous, difficult, and painful; with sprinklings of good things, however human nature

SUZANNE ROSE - Anniversary (Ref. No. 0415-012621), 2022, pigment ink jet print on museum weight paper, 56 x 42.5 in. (frame)

Suzanne Rose: Moments of Being. Zolla/Lieberman Gallery. Chicago

This series examines beauty in life through a soft lens of memory. Found in everyday moments, these images contemplate underlying themes of love, longing,

Marina Adams, Twenty Springs, 2022. Marina Adams, 4 Corners of the Wind III, 2022. Marina Adams, Let the River Answer, 2021.

Marina Adams. LGDR. NY Exhibitions

What Are You Listening To? is an exhibition of new paintings by Marina Adams. Committed to a pure painterly expression, Adams makes rigorous explorations of

Sokari Douglas Camp Sugar Cane John Canoe, 2021 Mild steel acrylic paint. 155 x 33 x 26 cm. Courtesy the Artist and October Gallery, London. Photo: Jonathan Greet Courtesy the Artist and October Gallery, London.

Sokari Douglas Camp: Jonkonnu – Masquerade

October Gallery is pleased to announce a solo exhibition of new works by Sokari Douglas Camp CBE that explore the masquerade of ‘Jonkonnu’ both

Our Lady Guadalupe, 2020, Oil on canvas, 85 x 65 inches, 215.9 x 165.1 cm.

Fawn Rogers: Your Perfect Plastic Heart. Wilding Cran Gallery

Wilding Cran Gallery is pleased to present Your Perfect Plastic Heart, an exhibition of Fawn Rogers’ aesthetic meditations on the oyster as an allegory of life

Gideon Appah, Blue River, 2020, Oil and acrylic on canvas, 240 x 300 cm. Courtesy the artist and Gallery 1957.

Gideon Appah represents the Ghana Pavilion at Triennale di Milano

(Accra) – Gallery1957 announces Gideon Appah’s representation of the Ghana pavilion at the 23rd International Exhibition at Triennale di Milano. The ambitious new body

Poster graphic design in collaboration with OR Studios, Dublin.

Galalith, by Lauren Gault. Temple Bar Gallery + Studios

Galalith is the first solo exhibition in Ireland by artist Lauren Gault. This exhibition is an expanded staging of her sculptural installations, responding to Temple Bar

The shrine of Luxury and Pride, 2009, metal and neon, 87 1/2 x 99 x 5 1/4 in. (222.3 x 251.5 x 13.3 cm) © Jack Pierson

Jack Pierson, Represented by Lisson Gallery

Lisson Gallery is delighted to announce representation of Jack Pierson. The gallery will represent Pierson across London, New York and China, alongside his current roster of

The End is Another Beginning. Jackie Lam a.k.a. 009. JPS Gallery

Following the exhibitions Life like a galaxy railway in 2020 and Space Time of Love in 2021, The End is Another Beginning is the third instalment of the Galaxy Exhibitions

Alfredo Jaar, What Need is There to Weep Over Parts of Life? The Whole of it Calls for Tears, 2018.

Alfredo Jaar: THE TEMPTATION TO EXIST at Galerie Lelong & Co.

Galerie Lelong & Co., New York is pleased to announce THE TEMPTATION TO EXIST, a solo exhibition by Alfredo Jaar. For over four decades, Alfredo Jaar

Chen Wei, The Glowing Dust Grains, Archival inkjet print, acrylic face-mount on aluminium. 120 x 150 cm

Art|Basel Hong Kong 2022. Blindspot Gallery

Lam Tung Pang presents his Potted City series (2022), his latest body of work on wooden panel paintings depicting mountain and cityscape condensed within a domestic potted

Melvin Edwards, Mozambique, ca. 1974. Welded steel and powder coating, 92 x 71 x 16 1/2 in (233.68 x 180.34 x 41.91 cm)

Alexander Gray Associates. Frieze New York 2022 | Booth B10

Alexander Gray Associates presents an exhibition of recent and historical paintings, sculptures, and works on paper by seven Gallery artists, including Melvin Edwards, Harmony Hammond, Jennie C.

Art - Page 127