Janaina Tschäpe, In Haze, 2022, oil and oil stick on canvas, 92 x 70 inches; Landon Metz, MMXXII XLVIII, 2022, dye on canvas in two parts, overall: 30 x 48 inches; Loló Soldevilla, Sin título, sin año, black and white wooden elements on wood panel, 19 11/16 x 29 3/4 inches; Marina Abramovi?, Freeing the Voice, 1975, 1 black and white photograph with 1 letter press text panel, framed photograph: 29 3/4 x 39 1/2 inches, framed text panel: 10 1/4 x 7 1/4 inches, edition of 16 with 3 APs; Julian Charrière, We Are All Astronauts, 2014/2022, found globe, abraded with international mineral sandpaper, abraded dust from globe‘s surface, wood and glass vitrine, 93 x 36 x 30 inches; Sam Moyer, A Blue Balance, 2022, marble, acrylic on plaster-coated canvas mounted to MDF, 41 1/8 x 31 1/16 x 1 inches; Wu Chi-Tsung, Cyano-Collage 135, 2022, cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board, 35 7/16 x 82 11/16 inches; Callum Innes, Exposed Painting Quinacridone Gold, 2021, oil on linen, 70 7/8 x 68 7/8 inches; Awol Erizko, Nefertiti (Lit Freestyle), 2018-2020, digital chromogenic print, 30 x 20 inches, edition of 3 with 2 APs; James Casebere, Cabana, 2017, framed archival pigment print mounted to dibond, framed: 69 7/16 x 49 5/16 x 2 1/4 inches, edition of 5 with 2 APs; Anthony Akinbola, Moby Dick, 2022, durags on wood panel, 48 x 96 inches; Idris Khan, Glass Wall Piece #2, 2015, stamped glass, wall mounted, mounted: 23 3/4 x 21 1/2 x 2 3/4 inches; John Guzman, Punishment and pleasure, 2021, oil on canvas, 60 x 96 inches; Candida Höfer, Uffizi Firenze III 2008, C-print, framed: 72 9/16 x 61 15/16 x 2 inches, edition of 6 with 3 APs;
