Hulda Guzmán in her studio. Lanza del Norte, Samaná, 2021. Photo by Eddy Guzmán

Hulda Guzmán joins Stephen Friedman Gallery

Drawing on surrealism, Mexican muralism and Caribbean folk traditions, Guzmán’s junglescapes and studio scenes conjure portals to a mythic realm. Charged with postcolonial and ecological discourses, her paintings revitalise tropes of the natural world as a repository for our wilder instincts.

Stephen Friedman Gallery is pleased to announce representation of Dominican artist Hulda Guzmán.

Hulda Guzmán was born in 1984, Santo Domingo, Dominican Republic. She lives and works between Santo Domingo and the rainforest-covered mountains of Samaná, on the country’s northeast coast.

Guzmán’s paintings are populated by a technicolour cast of humans, animals, anthropomorphic plants and imaginary creatures. Employing distinct architectural locations and spatial tricks such as mise en abîme, her narratives occupy contradictory, dreamlike realities. Characters lounge on ambrosial shores beside derelict flats, join dancefloors that spill into the rainforest and chase demons through chic interiors. Though rooted in Guzmán’s liberal childhood, these wittily painted gatherings also reflect her experiences of the artistic community in Samaná.

Echoing the paradisial fantasies of Henri Rousseau and Paul Gauguin, Guzmán frequently interrogates imagery connected with her Caribbean heritage. The modernist style of her sparse interiors represents “a metaphor for human order,” Cathryn Drake explains in Artforum. It is “a reflection of the commercial exchange of goods around the globe, the most insidious form of colonisation.” These allusions to imperialist history emerge in contrast to the natural landscape, opposing mercenary tendencies with hints of a transcendent perspective.

The artist’s recent works explore humanity’s role within a vast ecosystem. Towering trees and lush foliage dwarf her subjects, evoking nature’s immeasurable complexity. Often employing wood as a surface for her paintings, Guzmán allows the textured grain to blend with leaves and skin. She explains that these works “are a celebration of nature […]. On the other hand, they question our own nature as creators of our ‘reality’ and examine the manifested world in relation to and reflection of the inner world. […] We must transition from our industrial materialistic society to a more contemplative culture, one that is based on consciousness and ecological symbiosis.”

Guzmán studied fine arts and illustration at Escuela de Diseño Altos de Chavón, La Romana, Dominican Republic (2002–2004). She went on to receive a BA in visual arts from Escuela Nacional de Artes Plásticas, Mexico City, Mexico (2004–2006).

Stephen Friedman Gallery will host a solo exhibition of the artist’s work in spring 2022. Guzmán has shown with institutions including Art Museum of the Americas, Washington DC, USA; Museo de Arte y Diseño Contemporáneo, San José, Costa Rica; Museo de Arte Moderno, Santo Domingo, Dominican Republic; Museu de Arte de São Paulo, Brazil and Pérez Art Museum, Miami, Florida, USA. She featured in the Dominican Republic’s pavilion at the 58th International Art Exhibition at the Venice Biennale in 2019.

Guzmán’s work is included in the permanent collections of Centro León Jimenes, Santiago, Chile; Fundación Casa Cortés, San Juan, Puerto Rico; Kadist Art Foundation, San Francisco, California, USA; Museu de Arte de São Paulo, São Paulo, Brazil and Pérez Art Museum Miami, Miami, Florida, USA.

The artist is also represented by Alexander Berggruen, New York.

Hulda Guzmán
Hulda Guzmán

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