Movies

A Cut Above”: Penteado shines but plot pacing falls flat

Martin Cid Magazine

The opening scene of Rodrigo França’s “A Cut Above” is a flurry of clippers and combs, as Lucas Penteado’s Richardsson navigates the chaotic salon with the precision of a maestro. It’s a vivid introduction to the film’s central premise: a struggling business, a devoted son, and the unexpected discovery of a hidden talent.

“A Cut Above” is a Brazilian comedy-romance that follows Richardsson as he attempts to save his mother’s salon from bankruptcy. With a cast that includes Solange Couto as Cristina (his mother) and Jeniffer Dias as Danielle, the film blends humor and heart in a vibrant urban setting. França’s direction is lively, capturing the energy of São Paulo with a restlessly rosy lens, a stark contrast to the gritty realism of films like “City of God.”

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The film’s strengths lie in its infectious energy and Penteado’s charismatic performance. His portrayal of Richardsson is endearing, balancing the character’s dedication to his family with his newfound confidence as a barber. The salon scenes are particularly engaging, filled with witty banter and a colorful ensemble cast that adds depth to the community-driven narrative. Solange Couto delivers a warm and nuanced performance as Cristina, grounding the story in emotional authenticity.

However, “A Cut Above” stumbles in its structural pacing. The film’s first act is rushed, hurrying through the salon’s financial crisis and Richardsson’s initial struggles. This haste leaves little room for character development beyond the protagonist, making some supporting characters feel one-dimensional. Additionally, the romantic subplot with Raquel (Rebecca) feels underdeveloped, introduced too late to gain significant traction.

The film’s originality is somewhat hampered by its reliance on familiar tropes of the underdog story and the hidden talent narrative. While the Brazilian setting and cultural context provide a fresh backdrop, the overall plot trajectory doesn’t offer many surprises. The genre fit is solid but not groundbreaking; it comfortably sits within the realm of lighthearted comedies with romantic elements.

In the end, “A Cut Above” is a charming and energetic film that delivers on its core promise: an uplifting story about family, community, and self-discovery.

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