左 Left / 鄭在東CHENG TSAI-TUNG (b.1953),《桃花源記》Peach Blossom Spring, 2021, Acrylic on Canvas, 180 x 220 cm 右 Right / 陳恆CHEN HENG (b.1962),《天地人合之三》The Unity of Man and Nature No. 3, 2021-2022, Oil on Canvas, 160 x 85 cm 圖檔由藝術家及漢雅軒提供Image Courtesy of the Artist and Hanart TZ Gallery
左 Left / 鄭在東CHENG TSAI-TUNG (b.1953),《桃花源記》Peach Blossom Spring, 2021, Acrylic on Canvas, 180 x 220 cm 右 Right / 陳恆CHEN HENG (b.1962),《天地人合之三》The Unity of Man and Nature No. 3, 2021-2022, Oil on Canvas, 160 x 85 cm 圖檔由藝術家及漢雅軒提供Image Courtesy of the Artist and Hanart TZ Gallery
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‘Cheng Tsai Tung / Chen Heng’ – Hanart TZ Gallery (Hong Kong)

17.12.2022 - 04.2.2023

Hanart TZ Gallery is pleased to present the duo exhibition of Cheng Tsai-Tung and Chen Heng, opening on 17 December 2022. The exhibition features new paintings from the last few years, displayed against selected examples of earlier works.  

鄭在東CHENG TSAI-TUNG (b.1953),《小窗幽記 》Sketches by the Little Window, 2021, Acrylic on Canvas,  200 x 200 cm
鄭在東CHENG TSAI-TUNG (b.1953),《小窗幽記 》Sketches by the Little Window, 2021, Acrylic on Canvas, 200 x 200 cm. Image Courtesy of the Artist and Hanart TZ Gallery

In recent years, Cheng Tsai-Tung has increasingly shifted to a state of solitude in which his interlocutors remain the ancients alone. Through classical poetry, he has slowly found ways to crystallize these complex sentiments into a faint melancholy. He condenses his personal tales and sensibility into the mise-en-scène of colourful moonlight, and at the same time morphs himself into a sentient being within the stream of history.

Cheng Tsai-Tung’s contemplative anxiety about the passing of time, and the fragility and preciousness of life drive him on the path of creation. His pursuit of archaic style is a testament to his many years of research travels around China. Although Cheng Tsai-Tung refuses the traditional paths of ink painting, his persistent search for the archaic spirit has opened a personal approach. In these paintings, we can see his engaged interest in ink and brush, his relish in the charm of awkwardness and playfulness, as well as the inner reserve of his personality that flashes out of the silence.

陳恆CHEN HENG (b.1962),《天地人合之一 》Chen Heng, The Unity of Man and Nature No. 1,2021-2022, Oil on Canvas,  170 x 100 cm
陳恆CHEN HENG (b.1962),《天地人合之一 》Chen Heng, The Unity of Man and Nature No. 1,2021-2022, Oil on Canvas, 170 x 100 cm. Image Courtesy of the Artist and Hanart TZ Gallery

Chen Heng emphasizes “realization” and “transcendence” in his art. In four decades of artistic journey, he has continuously sought to sublimate his representational skills and to refine images to seek the cultural meaning of imagery. He deconstructs the ingredients of oil painting to seek aesthetics that suit a Chinese context. This includes his interpretation of the ‘negative’ space of ink painting (the ‘blank’ liubai) as an extra-visual context and highlighting visual scenes as mental ‘events’ and ‘things’.

Chen Heng’s latest series is titled The Unity of Man and Nature. The artist heeds the Doctrine of the Mean, which says: “What is meant by ‘The Mean’ is the state in which joy, anger, sorrow, and pleasure have not yet arisen “. Chen Heng depicts the female as a symbol of this state of “not-arisen”, where emotions are formed but not expressed. The ancient doctrine describes this as the closest state to the nature of things. Chen Heng depicts female figures in a state of non-movement and non-stillness. Their gestures cannot be defined in terms of sensuality; rather, their strong maternal nature connects more to the Earth and finds an echo in the motifs of Renaissance paintings. The gentle character of the painter is thus embodied in his restrained style. Chen Heng prompts connoisseurs to look for hints of Chinese ‘mountain-water’ art in his figure paintings; his subdued tone and aspect ratio are inspired by the landscape art of the Song Dynasty. For aesthetic principles, Chen Heng submits to the ritual bronze vessels of the Zhou dynasty. They epitomize for him the gravitas and correctness of the classical age.

Hanart TZ Gallery

Hong Kong, 葵興 Kung Yip St, 17-21號, Mai On Industrial Building, 2/F

'Cheng Tsai Tung / Chen Heng' - Hanart TZ Gallery
左 Left / 鄭在東CHENG TSAI-TUNG (b.1953),《桃花源記》Peach Blossom Spring, 2021, Acrylic on Canvas, 180 x 220 cm 右 Right / 陳恆CHEN HENG (b.1962),《天地人合之三》The Unity of Man and Nature No. 3, 2021-2022, Oil on Canvas, 160 x 85 cm 圖檔由藝術家及漢雅軒提供Image Courtesy of the Artist and Hanart TZ Gallery

Event Title: Cheng Tsai Tung / Chen Heng

Event Description: Hanart TZ Gallery is pleased to present the duo exhibition of Cheng Tsai-Tung and Chen Heng, opening on 17 December 2022. The exhibition features new paintings from the last few years, displayed against selected examples of earlier works.  

Start date: December 17, 2022

End date: February 4, 2023

Location name: Hanart TZ Gallery

Address: Hong Kong, 葵興 Kung Yip St, 17-21號, Mai On Industrial Building, 2/F

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