“Hit Man”: A Clever Comedy Showcasing Glen Powell’s Performance

An Intriguing Romp from Laughter to Suspense, All While Posing Thought-Provoking Questions

“Hit Man” is a smart comedy under the adept direction of Richard Linklater (“Boyhood”, 2014), starring the talented Glen Powell and Adria Arjona. What starts as a classic, seemingly silly comedy gradually transforms into a thriller with depth and psychological undertones. This film masterfully flips the script on clichéd narratives and evolves into an intelligent comedy with key messages, boasting two outstanding performances from Glen Powell and Adria Arjona.

The premise involves Gary Johnson, who moonlights for the police department until he’s given a unique assignment: pose as a hitman to unmask those opting for such services. The plot thickens as a charming woman seeks to employ his services, and Gary, smitten, begins a romantic entanglement with her while continuing his hitman facade.

The acting is top-notch, with a variety of roles impressively executed. One standout is Glen Powell, who displays a new personality, accent, and demeanor with each case. Powell seamlessly adapts to his own script, shining in each role while maintaining a consistent comedic edge.

Alongside him is the stunning Adria Arjona, equally talented in her ability to alter her persona from seductive to tender to evil, beautifully mirroring the film’s shift from comedy to thriller.

Directed by Richard Linklater, known for his indie films, his foray into mainstream comedy may surprise some. However, he manages to put his unique spin on it, seamlessly transitioning from a light-hearted comedy to a darker, more psychological terrain without losing the comedic essence.

In terms of pacing and, importantly, actor direction, Linklater excels — a fact evident not only in the performances of the leads but also in the roles played by the excellent Austin Amelio and Retta, adding charm as the friendly police officer.

The film starts as a comedy but weaves in deeper psychological questions: Are we who we pretend to be, or is our identity malleable? The script is laced with irony, and it successfully transforms a seemingly complex idea into entertaining content that is simultaneously intelligent and fun.

“Hit Man” skillfully merges genres with perfect screenplay treatment. It develops characters beyond their surface personas, turning a seemingly ‘mundane’ product into something more complex and amusing, without slipping into the ‘author film’ territory.

In our opinion, this comedy is worth watching. It will not only entertain you but also provoke deeper thoughts. Enjoy the laughter, embrace the suspense, and dare to ponder the questions it poses. Enjoy the journey, it’s worth it.

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Molly Se-kyung
Molly Se-kyung
Molly Se-kyung is a novelist and film and television critic. She is also in charge of the style sections.
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