Premiere of Eduardo Vilaro’s BUSCANDO A JUAN set to music by Osvaldo Golijov – Ballet Hispánico at New York City Center

Annual New York Season Program Includes
The World Premiere of Vilaro's Buscando a Juan
Annabelle Lopez Ochoa's House of Mad’moiselle
Gustavo Ramírez Sansano’s 18+1
April 25-28, 2024 at New York City Center

Premiere of Eduardo Vilaro's BUSCANDO A JUAN set to music by Osvaldo Golijov
Music MCM
Music MCM

Ballet Hispánico, the nation’s largest Latine/x/Hispanic dance organization recognized as one of America’s Cultural Treasures, continues its 2023/24 season. A Company that “compels audiences to think differently and lean into an unseen, unimaginable cultural vibrancy” (Broadway World), Ballet Hispánico amplifies Latinx artists and cultures through innovative contemporary works.

In honor of Eduardo Vilaro’s 15th season as Artistic Director of Ballet Hispánico, the program (Fri, Sat, Sun) will feature the World Premiere of Buscando a Juan. Vilaro’s new work, inspired by The Met’s exhibition of Juan de Pareja, Afro-Hispanic Painter, is a layered and immersive piece inspired by the life of Juan de Pareja, the Afro-Hispanic painter who was enslaved in Spanish painter Diego Velázquez’s studio for over two decades before becoming an artist in his own right. The work, set to music by Osvaldo Golijov, is a thought-provoking homage to the nuanced dance of shared vulnerability and intimate collaboration among artists that redefines the boundaries of individual creativity, beckoning us to question the very essence of artistic identity. In House of Mademoiselle, internationally acclaimed choreographer Annabelle Lopez Ochoa takes us on a wild romp through a campy world that explores iconic female representations found in Latin American culture. From femme fatales to the delicate language of fans, boas and Latin dance, the work highlights how the culture is enamored and obsessed with the iconic high-octane female stars of past and present; and 18+1Gustavo Ramírez Sansano’s celebration of the vulnerability, care, and hope that comes with each artistic endeavor. Tickets start at $45 ($20 for the En Familia Matinee) and are available here.

Ballet Hispánico 2024 Gala Performance (6:30pm) and Dinner

Tickets for the April 25 Gala Performance may be paired with a reservation for the Quinceañera Gala at the Plaza Hotel in tribute to Eduardo Vilaro’s 15th anniversary as Artistic Director & CEO. For more information, please contact Ellie Craven at or visit

Gala Performance Program: Recuerdo de Campo Amor by Talley Beatty; Con Brazos Abiertos (excerpts) by Michelle Manzanales; Doña Perón (excerpt) by Annabelle Lopez Ochoa; Pas de O’ Farrill, duet by Pedro Ruiz; Buscando a Juan by Eduardo Vilaro.

Ballet Hispánico 2024 En Familia Matinee

The En Familia Matinee offers a journey through Latin American culture and traditions as Vilaro leads the audience on an interactive and fun-filled afternoon featuring excerpts of classic pieces from the Company’s repertory: a re-staging of Talley Beatty’s electrifying Recuerdo de Campo Amor, the ever-popular Sombrerísimo by Annabelle Lopez Ochoa, Geoffrey Holder’s Caribbean-influenced Danse Creole, and the Latin social dance extravaganza Club Havana by Pedro Ruiz. Made possible thanks to the generosity of the RBC Foundation USA, the charitable arm of RBC Capital Markets, and New York City Center, all tickets for En Familia Matinee are $20 and can be purchased online at ($3 facility fee and $2 reduced handling fee), by calling 212.581.1212, or in person at the City Center Box Office ($3 facility fee).

With cultural and historical content and movement exercises for the whole family, the audience is in for a performance to remember. After the show, young audience members will have the opportunity to meet the dancers for a photo op, learn dance moves, and enjoy Caribbean beats from musicians throughout the theater!

“Leading this company continues to be the honor of my life. Fifteen years is quite a milestone; I’m humbled,” said Eduardo Vilaro, Artistic Director & CEO. “I look forward to celebrating at City Center with several exciting pieces, including the World Premiere of my new work Buscando a Juan, inspired by the Metropolitan Museum of Art’s exhibition Juan de Pareja, Afro-Hispanic Painter.”

Ballet Hispánico is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and by the National Endowment for the Arts.

MetLife Foundation is an Official Tour Sponsor of Ballet Hispánico.


Thursday, April 25th at 6:30pm – Gala Performance

Recuerdo de Campo Amor by Talley Beatty

Con Brazos Abiertos (excerpts) by Michelle Manzanales

Doña Perón (excerpt) by Annabelle Lopez Ochoa

Pas de O’ Farrill duet by Pedro Ruiz

Buscando a Juan by Eduardo Vilaro

Friday, April 26th at 7:30pm

House of Mad’moiselle by Annabelle Lopez Ochoa

Buscando a Juan by Eduardo Vilaro

18+1 by Gustavo Ramirez Sansano

Saturday, April 27th at 2:00pm – En Familia Matinee

Recuerdo de Campo Amor by Talley Beatty

Danse Creole (excerpt), duet by Geoffrey Holder

Sombrerísimo by Annabelle Lopez Ochoa

Club Havana (excerpts) by Pedro Ruiz

Saturday, April 27th at 7:30pm

House of Mad’moiselle by Annabelle Lopez Ochoa

Buscando a Juan by Eduardo Vilaro

18+1 by Gustavo Ramirez Sansano

Sunday, April 28th at 2:00pm

House of Mad’moiselle by Annabelle Lopez Ochoa

Buscando a Juan by Eduardo Vilaro

18+1 by Gustavo Ramirez Sansano

Eduardo Vilaro is the Artistic Director & CEO of Ballet Hispánico (BH). He was named BH’s Artistic Director in 2009, becoming only the second person to head the company since its founding in 1970, and in 2015 was also named Chief Executive Officer. Mr. Vilaro has infused Ballet Hispánico’s legacy with a bold brand of contemporary dance that reflects America’s changing cultural landscape.

Mr. Vilaro’s philosophy of dance stems from a basic belief in the power of the arts to change lives, reflect and impact culture, and strengthen community. He considers dance to be a liberating, non-verbal language through which students, dancers, and audiences of all walks of life and diverse backgrounds, can initiate ongoing conversations about the arts, expression, identity, and the meaning of community.

Born in Cuba and raised in New York from the age of six, Mr. Vilaro’s own choreography is devoted to capturing the Latin American experience in its totality and diversity, and through its intersectionality with other diasporas. His works are catalysts for new dialogues about what it means to be an American. He has created more than 40 ballets with commissions that include the Ravinia Festival, the Chicago Sinfonietta, the Grant Park Festival, the Lexington Ballet and the Chicago Symphony.

A Ballet Hispánico dancer and educator from 1988 to 1996, he left New York, earned a master’s in interdisciplinary arts at Columbia College Chicago and then embarked on his own act of advocacy with a ten-year record of achievement as Founder and Artistic Director of Luna Negra Dance Theater in Chicago.

The recipient of numerous awards and accolades, Mr. Vilaro received the Ruth Page Award for choreography in 2001; was inducted into the Bronx Walk of Fame in 2016; and was awarded HOMBRE Magazine’s 2017 Arts & Culture Trailblazer of the Year. In 2019, he received the West Side Spirit’s WESTY Award, was honored by WNET for his contributions to the arts and was the recipient of the James W. Dodge Foreign Language Advocate Award. In August 2020, City & State Magazine included Mr. Vilaro in the inaugural Power of Diversity: Latin 100 list. In January 2021, Mr. Vilaro was recognized with a Compassionate Leaders Award, given to leaders who are courageous, contemplative, collaborative, and care about the world they will leave behind. In May 2022, he was honored to serve as a Grand Marshall of 2022 Dance Parade. Mr. Vilaro is a well-respected speaker on such topics as diversity, equity, and inclusion in the arts, as well as on the merits of the intersectionality of cultures and the importance of nurturing and building Latinx leaders.

Ballet Hispánico is the largest Latinx/Latine/Hispanic cultural organization in the United States and one of America’s Cultural Treasures. Ballet Hispánico’s three main programs, the Company, School of Dance, and Community Arts Partnerships, bring communities together to celebrate the multifaceted Hispanic diasporas. Ballet Hispánico’s New York City headquarters provide the physical home and cultural heart for Latinx dance in the United States. It is a space that initiates new inclusive cultural conversations and explores the intersectionality of Latine cultures. The Ballet Hispánico mission opens a platform for new social dialogue, and nurtures and sees a community in its fullness. Through its exemplary artistry, distinguished training program, and deep-rooted community engagement, Ballet Hispánico champions and amplifies Latine voices in the field. For over fifty years Ballet Hispánico has provided a place of honor for the omitted, overlooked, and othered. As it looks to the future, Ballet Hispánico is pushing the culture forward on issues of dance and Latine creative expression.

NEW YORK CITY CENTER (Michael S. Rosenberg, President & CEO) has played a defining role in the cultural life of the city since 1943. The distinctive Neo-Moorish building was founded by Mayor Fiorello La Guardia as Manhattan’s first performing arts center with the mission of making the best in theater, dance, and music accessible to all audiences. This commitment continues today through celebrated dance and musical theater series like the Fall for Dance Festival and the Tony-honored Encores! series; the annual season by Principal Dance Company Alvin Ailey American Dance Theater; and new dance series Artists at the Center. City Center welcomes audiences to experience internationally acclaimed artists including Kyle Abraham, Matthew Bourne, Ayodele Casel, Manhattan Theatre Club, Nederlands Dans Theater, and Twyla Tharp, on the same stage where legends made their mark. Dedicated to a culture built on the values of curiosity, collaboration, accessibility, and inclusivity, City Center’s dynamic programming, art exhibitions, and studio events are complemented by education and community engagement programs that bring the performing arts to thousands of New York City students, teachers, and families every

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