Executive Producer Joe Hisaishi and Royal Shakespeare Company Team Up for Record-Breaking Run of My Neighbour Totoro in London’s West End

Theater Martin Cid Magazine
My Neighbour Totoro. Adaptor: Tom Morton-Smith

Executive Producer Joe Hisaishi and the Royal Shakespeare Company (RSC), in collaboration  with Nippon TV and Improbable, today announce a 34-week run for Studio Ghibli’s record-breaking My Neighbour Totoro at the Gillian Lynne Theatre in London’s West End.  

The production will run from Saturday 08 March – Sunday 02 November 2025, with an opening night on Thursday 20 March. Priority booking opens on Monday 29 April, with public booking from  Friday 03 May.  

Adapted by Tom Morton-Smith (Oppenheimer) from Hayao Miyazaki’s celebrated 1988 animated  feature film, the production is directed by Improbable Co-Founder, Phelim McDermott. Winner of six  Olivier Awards and five WhatsOnStage AwardsMy Neighbour Totoro broke the Barbican’s Box Office record for most tickets sold in a single day in April 2022, ahead of its global premiere in October 2022. Following both critical and audience acclaim, the production returned to the Barbican Centre for a strictly limited run in Autumn 2023. The production closed at the Barbican Centre in March 2024.  ​

My Neighbour Totoro
My Neighbour Totoro. Adaptor: Tom Morton-Smith

The Olivier Award Winning adapter, Tom Morton Smith, said: “I am delighted that our take on Totoro will make the move into the West End next year. It’s an incredibly special show that has managed to marry beautiful technical design with so much heart and humanity. I am thrilled that even more people will get to experience the magic and wonder that this production conjures. Spending time with these characters and with Miyazaki’s incomparable gentle giant has been both a joy and an honour, and I can’t wait to once again share this show with  audiences both new and returning.” 

Director, Phelim McDermott said:“I am constantly delighted by the love that My Neighbour Totoro receives from audiences of all ages, both from those who already cherish the film and those newly introduced to the story of Mei and  Satsuki. It is truly an honour to share the joy of this production with thousands more in London’s West  End.

“I am grateful to Nippon TV, the Royal Shakespeare Company, and the brilliant cast, creatives, and  staff who have helped bring this adaptation of Miyazaki’s beloved 1988 film to the stage with such  delicacy, beauty, and care. The success of My Neighbour Totoro continues to exceed my own  expectations and I am incredibly proud to work on this once-in-a-lifetime theatrical experience.” 

My Neighbour Totoro
My Neighbour Totoro. Adaptor: Tom Morton-Smith

The production’s producer from Nippon TV, Kenichi Yoda, who is also a board member of Studio  Ghibli, said: “We continue to treasure this show, which has been led by Mr. Joe Hisaishi. It’s a pleasure that  My Neighbour Totoro has been loved for a long time, and that more people will discover the  original film.” 

The RSC’s Co-Artistic Directors, Daniel Evans and Tamara Harvey, said: “We very recently began our first chapter at the RSC – and have just opened our first production in  Stratford-upon-Avon. To see that our inaugural season as Co-Artistic Directors will include the West  End transfer of this magical show is an honour. What a delight to see the RSC’s work thriving in  Stratford, abroad and as part of the London theatre scene.” 

My Neighbour Totoro features production design by Tom Pye, costume design by Kimie Nakano,  lighting design by Jessica Hung Han Yun, movement by You-Ri Yamanaka and puppetry design and direction is by Basil Twist. The production features music from Joe Hisaishi’s iconic score in a new orchestration by Will Stuart, performed live with sound design by Tony Gayle. Video  design is by Finn Ross and Andrea Scott. Casting is yet to be announced. ​

Artwork for the stage adaptation of My Neighbour Totoro includes a hand drawn title by Toshio Suzuki, Producer for Studio Ghibli, who was involved in the planning and production of the original  animated film.  ​

Mr. Suzuki said: “It would be really wonderful if people thought of Totoro when they think of London.” 

Satsuki and Mei’s mother has taken ill. In order to be closer to her while she recovers in a rural  convalescent hospital, their father moves the two sisters from their home in a city to the countryside. And though the countryside is beautiful and the people friendly, it’s hard not to be scared when the  wind rustles the trees at night. As the sisters explore their new surroundings, young Mei encounters  magical creatures and the ancient protector of the forest she calls “Totoro” – and they are to be the  girls’ neighbours. 

Although Satsuki doesn’t believe her little sister at first, they are soon both swept up in exciting  adventures with their new neighbours – transported to a long-forgotten realm of spirits, sprites, and  natural wonder. 

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