“Uglies” is a sci-fi movie starring Joey King, Keith Powers and Chase Stokes.
“Uglies” is a film that transports viewers into a futuristic universe reminiscent of “The Hunger Games” (2008), blending elements of past inspirations to paradoxically strive for a resolution to a chaotic future. This movie is an adventure deeply inspired by the 2008 film and Suzanne Collins’ literary universe, merging futurism with a critique of capitalism and seeking rejuvenation in youth to combat corporate disorder.
Indeed, the films starring Jennifer Lawrence garnered significant public acclaim, and “Uglies” appears to aspire to the same level of success without introducing anything groundbreaking or contributing fresh ideas. Consequently, “Uglies” emerges as yet another adventure tailored for rebellious teenagers seeking self-identity. The narrative offers nothing new, either in literary or cinematic terms.
Plot Summary
At the age of 16, young individuals undergo a cosmetic procedure designed to render them perfect—handsome, beautiful, and socially integrated. The underlying belief is that uniform beauty will eliminate differences and thereby conflicts. However, a splinter society perceives this as a deceptive means of control, suspecting that the aesthetic operation harbors far more sinister implications.
About the Film
“Uglies” seems more intent on appealing to young audiences and achieving commercial success rather than convincing viewers with its underlying concept (which, admittedly, is not without merit). Consequently, “Uglies” recycles marketing strategies that have previously resonated: themes of rebellion, romance, the pursuit of beauty, and the notion that adults are deceiving the younger generation.
Ultimately, the film appears more focused on commercial success than on delivering sincere arguments. In this regard, the movie ironically embodies what it should be critiquing: a rebellion against the system that ultimately succumbs to the very cinematic genre it aims to challenge. It bears too many similarities to recent, superior films, relies heavily on clichés, and features characters who seem more like pawns in the dystopian narrative than soulful beings.
It is particularly unfortunate for Joey King, an actress we regard as phenomenal, who has yet to find a role that truly cements her status. Whether this film will be that defining moment remains uncertain, but we have our doubts.
Our Verdict
“Uglies” is a film that strives for success at any cost, shamelessly borrowing ideas that have worked before but now feel worn out in this context. It is a film that ultimately fails to convince, falling short of its potential.
