What happens when the past – or, more specifically, a piece of cultural heritage – is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein’s reconstructions of ancient
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New book offers a fresh look at two masterful twentieth-century artists, tracing parallels and intersections in their photography and sculpture over three decades Bill Brandt (1904–1983) and Henry Moore (1898–1986) first met during the
