Rebecca Horn invited to the 59th International Art Exhibition of La Biennale di Venezia

Sean Kelly congratulates Rebecca Horn on her inclusion in the 59th International Art Exhibition La Biennale di Venezia: The Milk of Dreams, curated by Cecilia Alemani from April 23–November 27, 2022.

Since the beginning of the 1970s, Rebecca Horn has created an oeuvre which constitutes performances, films, sculptures, spatial installations, drawings and photographs. The essence of their imagery comes out of the tremendous precision of the physical and technical functionality she uses to stage her works within a particular space.

Horn’s work has been the subject of solo exhibitions at the Bank Austria Kunstforum Wien, Vienna, Austria; the Museum Tinguely, Basel, Switzerland; the Centre Pompidou-Metz, Paris, France; Tate Modern, London, UK; the Solomon R. Guggenheim Museum, New York; the Stedelijk Van Abbesmuseum, Eindhoven, The Netherlands; the Lehmbruck Museum, Duisburg, Germany; the Museum of Contemporary Art, Tokyo, Japan; the Museé du Louvre, Paris, France; and The Multimedia Art Museum Moscow, Moscow, Russia amongst others. She is included in major public collections worldwide including the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, Castello di Rivoli Museum of Contemporary Art, Turin; the Tate Gallery, London; the San Francisco Museum of Modern Art, San Francisco; the Musée National d’Art Moderne, Centre Georges Pompidou, Paris; the Stedelijk Museum, Amsterdam; and the National Gallery of Australia, Canberra, Australia. She has participated in the Sydney Biennale (2008), the 47th (1997) and 42nd (1986) Venice Biennales, and Documenta IX (1992). She has been the recipent of numerous awards including the Premium Imperiale Prize, Japan (2010) for sculpture.

For additional information on Rebecca Horn, please visit skny.com

Martin Cid Magazine
Martin Cid Magazine
Martin Cid Magazine (MCM) is a cultural magazine about entertainment, arts and shows.
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